Library Study LXX
Size:16 x 21 in.
Library Study LXX is a 12" x 17" mixed media work that distils The Connor Brothersā signature blend of wit, melancholy and subversion into a compact, carefully composed bookshelf. The piece depicts a row of mock Penguin-style paperbacks, their muted greys shifting into soft purples, as though emotion itself is being charted tonally across the spines. Each title is a bite-sized dose of dark humour and existential reflection: āHope? Canāt See The Pointā, āParenthood: A Guide To What The F**k Happenedā, āAnger Management ā Itās All The Rageā and the brilliantly blunt āElon Muskā sitting amongst them like a cultural punchline.
The precision of the printed spines contrasts with the loose, pencilled marks framing the composition, reminding us that this library is not real ā it is an idea, a sketch of the inner world masquerading as order. A handwritten note to the right simply reads āAll the rageā, floating like an unfinished thought, reinforcing the tension between presentation and confession.
As always, The Connor Brothers use fiction to tell uncomfortable truths. What first appears playful reveals a catalogue of modern anxieties: identity, disillusionment, ageing, human frailty. Their work turns literature into autobiography, the bookshelf into a psychological x-ray, exposing the stories we live by ā and the ones we drink to forget.
Ā
Original: $4,662.76
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Description
Size:16 x 21 in.
Library Study LXX is a 12" x 17" mixed media work that distils The Connor Brothersā signature blend of wit, melancholy and subversion into a compact, carefully composed bookshelf. The piece depicts a row of mock Penguin-style paperbacks, their muted greys shifting into soft purples, as though emotion itself is being charted tonally across the spines. Each title is a bite-sized dose of dark humour and existential reflection: āHope? Canāt See The Pointā, āParenthood: A Guide To What The F**k Happenedā, āAnger Management ā Itās All The Rageā and the brilliantly blunt āElon Muskā sitting amongst them like a cultural punchline.
The precision of the printed spines contrasts with the loose, pencilled marks framing the composition, reminding us that this library is not real ā it is an idea, a sketch of the inner world masquerading as order. A handwritten note to the right simply reads āAll the rageā, floating like an unfinished thought, reinforcing the tension between presentation and confession.
As always, The Connor Brothers use fiction to tell uncomfortable truths. What first appears playful reveals a catalogue of modern anxieties: identity, disillusionment, ageing, human frailty. Their work turns literature into autobiography, the bookshelf into a psychological x-ray, exposing the stories we live by ā and the ones we drink to forget.
Ā
